Every picture is a memory. Every time we press the shutter on the camera we are freezing a moment of history so we can preserve it forever. It sounds monumentous doesn't it, but it's not: Facebook will certainly tell you otherwise. I log on each day to see the myriad of photos that my so-called 'friends' vomit onto my homepage. Not only do people upload a sequence of the same picture - I have two of them so why not use them - but the other people in the picture will also post their versions of it. The result? Monster albums clogging up the internet providing the CIA with plenty of material should anyone need blackmailing in the future...


It is an age-old question, though. How do we make our holiday photos interesting to the general public? How do we step away from the necessity to have 'been there' to really appreciate someone else's pictures? And, while we're at it, how can we remove this insane fashion for de-tagging and portraying this hideously false image on Facebook? There is no hard and fast solution - no tried and tested method to solve this, but I think I may have hit upon a compromise.


May I invite you to read on...

Tuesday, 6 March 2012

All Things to All Men

I'd been in Verona quite a while and I'd got involved in all sorts. One of the little projects I had was student radio. Now radio isn't really what I want to go into full-time, no, that would be television, but as the University of Verona didn't have a TV station, radio was certainly the next best thing.

Still I'm not one to go down without a fight and decided that the solution to my problems was to do a few films and videos to accompany certain episodes of our highly successful show. We did it all - CSI:Verona, Star Wars, Top Gear - they may not have gone viral, but they were so much fun to film.

Having said all of this, we were limited by a number of issues:
1. We were using my poxy digital camera that makes people sound like they're lisping when they talk.
2. We were using very basic editing software - no Oscar nominations for us.
3. We were in Verona.

Now why does being in Verona hamper our chances at making a decent film? Locations.

Fair enough CSI:Verona was set in Verona, but Star Wars wasn't. We had to trawl the city looking for the Death Star, Cloud City, Tattooine, Jabba's Palace, the Millenium Falcon and so on...

In the end we used what we could and it turned out ok. George Lucas isn't quaking in his space boots, but considering the things we were up against, it's not too shabby. We categorised all the scenes and worked out what we could film where and set to it. My friend lived in a reasonably plain flat which became Cloud City, the Death Star, the Millenium Falcon, and many, many more places.

It seemed only right, therefore, that at the end of this escapade we jumped to celebrate.

Using the Force
Verona, Italy, 2010

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